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http://www.archive.org/details/guidetobesthistoO0Oniel 


AS GUIDE TO. THE, BEST 
HISTORICAL NOVELS AND TALES 


A Guide to the Best 


Historical Novels and Tales 


BY 


JONATHAN NIELD 


“‘ These Historical Novels have taught all men this truth, which looks 
like a truism, and yet was as good as unknown to writers of history 
and others, till so taught : that the bygone ages of the world were actually 
filled by living men, not by protocols, state-papers, controversies, and 
abstractions of men.” 

Carlyle on the Waverley Novels. 


[2736 
NEW YORK: G. P. PUTNAM’S SONS 


LONDON: ELKIN MATHEWS 


1902 


ERRATA. 


Page 42 (in Azthor column), instead of ‘‘ditto” opposite Zhe 
Colloguies of Edward Osborne, read ‘‘ Miss Manning.” 


Page 57, read as a foot-note to Burton's Zhe Scourge of God: Inten- 
tionally placed with the Louis XIV. romances. It should, how- 
ever, be noted that the events of the story are supposed to happen 
in the first years of the Zighteenth Century (the Cévennes Revolt). 


tox: 


TO THE 
REV. RK. C. RADCLIFFE 
OF ETON COLLEGE 


IN RECOGNITION OF MUCH 


HELP AND KINDNESS 
IN BYGONE DAYS 


i yay 
Pitt 


He AN 
Mr) 


ae 


Dae ha) 


Introduction 
Pre-Christian Era 
First Century 
Second Century . 
Third Century 
Fourth Century . 
Fifth Century 

Sixth Century 
Seventh Century 
Eighth Century . 
Ninth Century 
Tenth Century 
Eleventh Century 
Twelfth Century 
Thirteenth Century 
Fourteenth Century 


Fifteenth Century 


CONTENTS 


PAGE 


Sixteenth Century . : : : 3 : i age 


Seventeenth Century . : : ° 5 ; : Pati 
Eighteenth Century . : : : : : : i Ge 
Nineteenth Century . : ate : : 4 ene 
Supplementary List (Semi-Historical) , : : + 8g 


Suggested Courses of Reading (Juvenile) . ° : . | OB 
Bibliography . ; : : : : : ¢ meen 


INTRODUCTION. 


(2.736 

Ir is not proposed, in these preliminary remarks, to sketch 
in detail the origin and growth of the Historical Novel ; 
this has already been amply done by Professor Saintsbury 
and others. I shall be content to approach the subject on 
its general side, offering, at the same time, some critical 
suggestions which will, I hope, not be without value to 
readers of Romance. 

But, first of all, I must explain how the List which 
follows came to be compiled, and the object I have in 
offering it. For many years I have been an assiduous 
reader of novels and tales in which the historical element 
appeared, supplementing my own reading in this direction 
by a careful study of all that I could find in the way of 
Criticism on such works and their writers. Only in this 
way could I venture on a selection involving a survey 
of several thousand volumes! With the above under- 
standing, I can say that no book has been inserted 
without some reason, while I have made all possible effort 
to obtain accuracy of description. And this leads me to 
remark, that just in this process of selection do I claim 
originality for my List. Nearly twenty years ago an 
excellent ‘‘ Descriptive Catalogue of Historical Novels and 
Tales” was published; Mr. H. Courthope Bowen was 

B 


2 


the compiler,* and I would here mention my indebtedness 
to him. In Mr. Bowen’s list, however, one finds good and 
bad alike—all the works of even such moderately endowed 
writers as G. P. R. James, Ainsworth, Grant, &c., are there 
set down. It seemed to me that, not only was there room 
for a new list of Historical Novels (Stevenson, Marion 
Crawford, Conan Doyle, Weyman, Mason, and a number 
of more or less capable romancists having come forward in 
the last twenty years), but, also, that more than ever was 
there a need for some sort of clue in the search for such 
books. In the last year or two there has been an almost 
alarming influx in this department of Fiction, and teachers 
in schools, besides readers in general, may be glad to be 
saved a somewhat tedious investigation. 

Having thus attempted to justify the existence of my 
little ‘*Guide,” I pass on to deal with the subject of 
Historical Fiction itself. Most of us, I suppose, at one 
time or another have experienced a thrill of interest when 
some prominent personage, whom we knew well by repute, 
came before us in the flesh. We watched his manner, and 
noted all those shades of expression which in another’s 
countenance we should have passed by unheeded. Well, 
it seems to me that, parallel with this experience, is that 
which we gain, when, reading some first-rank romance, we 
encounter in its pages a figure with which History has made 
us more or less familiar. And I would remark that the 
great masters do not, as a rule, make that mistake which 
less skilful writers fall into—the mistake of introducing 
well-known historical figures too frequently. The Crom- 


* “(A Descriptive Catalogue of Historical Novels and Tales, for the 
use of School Libraries and Teachers of History,” compiled and described 
by H Courthope Bowen, M.A, (Edward Stanford, 1882.) 


3 


well of ‘‘ Woodstock” has an element of mystery about 
him, even while he stands out before our mental vision in 
bold relief. Had Scott brought him more prominently into 
the plot, and thus emphasized the fictional aspect of his 
figure, our interest in the story, as such, might have been 
sustained, but we should have lost that atmosphere of 
vyaisemblance which, under a more careful reserve, the hand 
of the master has wrought for us. 

But it is not only this introduction of personalities 
which constitutes a novel “ historical” ; the mere allusion 
to real events, or the introduction of dates, may give us 
sufficient ground for identifying the period with which a 
novel deals. Of course the question as to whether a par- 
ticular person or event is truly historical, is not always an 
easy one to answer. By the adaptation in it of some purely 
mythical character or event, a novel is no more constituted 
‘‘historical”” than is a Fairy-tale by the adaptation of folk- 
- lore. King Arthur and Robin Hood are unhistorical, and, 
if I have ventured to insert in my list certain tales which 
deal with the latter, it is not on that account, but because 
other figures truly historical (e.g., Richard I.) appear. As 
there has been some dispute on this question of the His- 
torical Novel proper, I offer the following definition :—A 
Novel is rendered Histovical by the introduction of dates, 
personages, or events, to which identification can be readily 
given. I am quite aware that certain well-known novels 
which give the general atmosphere of a perviod—such, for 
example, as Hawthorne’s “‘ Scarlet Letter” and Mr. Hew- 
lett’s ‘‘ Forest Lovers””—do not come within the scope of 
my definition; but this is just why I have added a “ Sup. 
plementary List” of semi-historical tales. And, while I 
am alluding to this ‘‘ Supplementary List,” I should like ta 

B—2 


4 


give my reason for omitting from it one remarkable book 
which has every claim to be considered representative of 
the mid-nineteenth century. Readers of ‘‘ John Inglesant ” 
may be reminded that in his interesting preface Mr. Short- 
house alludes to William Smith’s philosophical novel— 
“Thorndale.” As a picture of Thought developments in 
in the early Victorian period, the latter work has special 
historical interest for the philosophical and theological 
student ; in this respect it may be likened to Pater’s 
‘‘ Marius the Epicurean,” which vividly reproduces the 
Intellectual ferment of an earlier age. ‘‘ Thorndale,” how- 
ever, is primarily didactic, and the philosophical dialogues 
(interesting as these are to the metaphysician) hardly atone 
to the general reader for an almost entire absence of plot. 
The above is, doubtless, an altogether extreme instance, 
but the exclusion of several other works from the category 
of Romance seems to follow on something like the same 
grounds. Becker’s ‘‘ Charicles’”’ and ‘‘ Gallus” are little 
more than school textbooks, while, turning to a less 
scholarly quarter, Ainsworth’s ‘‘ Preston Fight,” and even 
his better-known ‘‘Guy Fawkes,” may be cited as illus- 
trating what Mr. Shorthouse means when he speaks of 
novels ‘‘in which a small amount of fiction has been intro- 
duced simply for the purpose of relating History.’’ In all 
such cases the average novel-reader feels that he has been 
allured on false pretences. I am well aware that not a few 
of the books included in my List might be considered to 
fall under the same ban, but I think it will be found that in 
most of them there is at least a fair attempt to arouse narra- 
tive interest. 

Coming to the List itself, it will be noticed that I have 
been somewhat sparing in the books given under the “ Pre- 


5 


Christian” heading. Novels dealing with these very far-off 
times are apt to be unsatisfactory ; the mist in which events 
and personages are enveloped, takes away from that appear- 
ance of reality which is the great charm of the historical 
novel. We are hardly concerned, in reading ‘‘ Sarchedon”’ 
and similar books, to get away from the purely imaginary 
pictures which spring from the Novelist’s own brain, and 
the danger is that the very elements which add to our 
interest in the tale as such, will go far to mislead us in our 
conception of the period dealt with. There is none of that 
sense of familiarity which we enjoy when reading a sixteenth 
or seventeenth century romance; in the latter case, the 
historical background, being easily perceptible, merges for 
us with the creations of the author’s own imagination. 
Where the writer of an ‘‘ancient” romance happens to bea 
scholar like Ebers, we feel that—so far at least as historical 
presentment goes—we cannot be far wrong, but the com- 
bination of great scholarship and narrative capacity is, alas, 
too rare! 

I have likewise refrained from giving many tales deal- 
ing with Early-Christian times. We are here, it must be 
admitted, on controversial ground, and under the First 
Century heading I have endeavoured to insert romances of 
the highest quality only. For instance, I think that Dr. 
Abbott’s “ Philochristus”” and Wallace’s ‘‘ Ben Hur” ought 
to satisfy two different types of readers. And this is the 
place, doubtless, to say that in my lists will be found books 
of widely differing merit and aim. School teachers, and 
others in like capacity, will easily discriminate between 
authors suitable for juvenile or untrained tastes, and authors 
whose appeal is specially to those of maturer thought and 
experience. Differing as much in method and style as in 


6 


choice of period and character type, Thackeray's ‘ Vanity 
Fair” and George Eliot’s ‘‘ Romola” have at least this in 
common—they require a very high degree of intelligence 
for their due appreciation. Who, among those of us with 
any knowledge of such works, would dream of recommend- 
ing them to a youthful reader fresh from the perusal of 
Miss Yonge’s “Little Duke,” or Captain Marryatt’s 
“Children of the New Forest”? 

Naturally in a list of this kind there is bound to be 
very great inequality; certain periods have been wholly 
ignored by writers of the first rank, while in others we have 
something like an embarvas de vichesse. Consequently, I have 
been compelled, here and there, to insert authors of only 
mediocre merit. In other cases, again, I have not hesitated 
to omit works by writers of acknowledged position when 
these have seemed below the author’s usual standard, 
and where no gap had to be filled. I would instance the 
James II.—William III. period. Here Stanley Weyman 
and “‘ Edna Lyall” might have been represented, but, there 
being no dearth of good novels dealing with both the above 
reigns, I did not deem it advisable to call in these popular 
writers at the point which has been very generally con- 
sidered their lowest. I mention this to show that omissions 
do not necessarily mean ignorance, though, in covering such 
an immense ground, I cannot doubt that romances worthy 
of a place in my list have been overlooked. 

I think many will be surprised to find how large a 
proportion of our best writers (English and American) 
have entered the domain of Historical or Semi-Historical 
Romance. Scott, Thackeray, Dickens, George Eliot, 
Charlotte Bronté, George Meredith, R. L. Stevenson, 
Hawthorne, Peacock, Charles Kingsley, Henry Kingsley, 


7 


Charles Reade, Anthony Trollope, Mrs. Gaskell, Walter 
Besant, Lytton, Disraeli, J. H. Newman, J. A. Froude, 
and Walter Pater—these are a few of the names which 
appear in the following pages; while Tolstoy, Dumas, 
Balzac, George Sand, Victor Hugo, De Vigny, Prosper 
Mérimée, Flaubert, Théophile Gautier, Freytag, Scheffel, 
Hauff, Auerbach, Manzoni, Perez Galdés, Merejkowski, 
Topelius, Sienkiewicz, and Jokai are, perhaps, the chief 
amongst those representing Literatures other than our own. 

“The Last Days of Pompeii,” ‘The Gladiators,” 
‘“‘ Hypatia,” ‘ Harold,” ‘‘ Ivanhoe,” ‘ The Talisman,” 
‘Maid Marian,” ‘‘The Last of the Barons,” ‘ Quentin 
Durward,” ‘‘ Romola,” “The Cloister and the Hearth,” 
‘“*The Palace of the King,” ‘‘ Westward Ho!”, ‘ Kenil- 
worth,” ‘‘ The Chaplet of Pearls,” ‘«A Gentleman of France,” 
‘‘John Inglesant,” ‘*The Three Musketeers,” ‘‘ Twenty 
Years After,” ‘* Woodstock,” ‘‘ Peveril of the Peak,” ‘‘ Old 
Mortality,” “‘ The Betrothed Lovers” (‘I Promessi Sposi”’), 
‘‘Lorna Doone,” ‘‘ The Refugees,” ‘‘ In the Golden Days,” 
‘‘ The Courtship of Morice Buckler,” ‘‘ Dorothy Forster,” 
‘©The Men of the Moss Hags,” ‘‘ Esmond,” ‘ The Vir- 
ginians,” ‘‘ Heart of Midlothian,” ‘*‘ Waverley,” ‘‘ The Master 
of Ballantrae,” ‘ Kidnapped,” ‘‘ Catriona,” ‘* The Chaplain 
of the Fleet,” ‘The Seats of the Mighty,” ‘ Barnaby 
Rudge,” ‘‘A Tale of Two Cities,” ‘‘ War and Peace’”—what 
visions do these mere titles arouse within many of us! 
And, though most of the books given in my list cannot be 
described in the same glowing terms as the masterpieces 
just named, yet many ‘‘nests of pleasant thoughts” may be 
formed through their companionship. 

Hitherto allusion has been mainly in the direction of 
modevn authors, and I would now say a word or two in 


8 


regard to those of an earlier period who are also represented. 
Defoe, Fielding, Richardson, Goldsmith, Smollett, Frances 
Burney, Samuel Lover, John Galt, Maria Edgeworth, 
Susan Ferrier, William Godwin, Mary Shelley, Fennimore 
Cooper, J. G. Lockhart, Leigh Hunt, Thos. Moore, Harriet 
Martineau, J. L. Motley, Horace Smith, Charles Lever, 
Meadows Taylor, and Wm. Carleton,—these (in greater or 
less degree) notable names were bound to have a place; and, 
coming to less distinguished writers, I may mention the 
brothers Banim, Gerald Griffin, Mrs. S. C. Hall, Lady 
Morgan, the sisters Porter, W. G. Simms, George Croly, 
Albert Smith, G. R. Gleig, W. H. Maxwell, Sir Arthur 
Helps, Eliot Warburton, Lewis Wingfield, Thomas Miller, 
C. Macfarlane, Grace Aguilar, Anne Manning, and Emma 
Robinson (author of ‘‘ Whitefriars”). To G. P. R. James, 
Harrison Ainsworth, and James Grant I have previously 
alluded. It has been my endeavour to choose the best 
examples of all the above-named novelists—a task rendered 
specially difficult in some cases by the fact of immense lite- 
rary output. Doubtless not a few of the works so chosen are 
open to criticism, but they will at least serve to illustrate 
certain stages in the growth of Historical Romance. With 
the exclusion of Mrs. Radcliffe, Mrs. Marsh, Mrs. Gore, 
Lady Blessington, Lady Fullerton, Mrs. Bray, and Mrs. 
Child, few will, I imagine, find fault ; but writers like Miss 
Tucker (A. L. O. E.) and Miss Emily Holt still find so 
many readers in juvenile quarters, that it has required a 
certain amount of courage to place them also on my Index 
Expurgatorius! Turning once again to writers of the sterner 
sex, I have ruled out C. R. Maturin, G. W. M. Reynolds, 
and Pierce Egan, Junr.; and (quitting the ‘‘ sensational” 
for the ‘‘ mildly entertaining”’) out of the Rev. J. M. Neale’s 


9 


many historical tales I have selected only one—‘‘ Theodora 
Phranza,” which, besides being well written, has the merit 
of dealing with a somewhat neglected period. Stories 
possessing a background of History are to be found in 
‘‘Tales from Blackwood,” as also in ‘*Wilson’s Tales of 
the Borders,” but their extremely slight character seemed 
scarcely to justify insertion; while not even the high literary 
position attained by him on other grounds reconciled me to 
either of Allan Cunningham’s novels—* Sir Michael Scott” 
and ‘ Paul Jones.” 

Of the Foreign novelists appearing in my list, several 
have been already named, but Marchese D’Azeglio, F. D. 
Guerrazzi, Cesare Cantu, ‘*W. Alexis’’ (G. Haring), H. 
Laube, Louise Miithlbach (Klara M. Mundt), Nicolas Jésika, 
Viktor Rydberg, Hendrik Conscience, Xavier B. Saintine, 
Amédée Achard, and ‘* Erckmann-Chatrian’”’ here call for 
notice as not coming under strictly Contemporary classifi- 
cation. I would forestall the criticism that two writers 
have been passed over whose fame is greater than any of 
those just mentioned, viz.: ‘‘ Stendhal” (Henri Beyle) and 
Alphonse Daudet. Beyle’s ‘‘ La Chartreuse de Parme,” 
though containing the oft-praised account of Waterloo, is far 
more Psychological than Historical; and Daudet’s ‘‘ Robert 
Helmont,”’ while it depicts (under Diary form) certain as- 
pects of the Franco-German War, has hardly any plot 
running through it. As the Waterloo and Franco-German 
War periods were amply illustrated in numerous other 
novels of more assured suitability, I had the less hesitation 
in deciding against the two works just named. In the selec. 
tions from Foreign Historical Fiction nothing more has been 
attempted than to include the leading examples; most of 
these, it will be found, have been translated into English. 


10 


Before leaving the subject of older writers, it may be 
mentioned that not a few of the works chosen to represent 
them are, at the moment, out of print. To anyone objecting 
that something ought to have been done to indicate this in 
each separate case, I would urge that the ‘out of print” 
line can never be drawn with precision in view of constant 
reprints as well as of further extinctions. 

Perhaps this introduction may be most fitly concluded 
by something in the nature of apology for Historical Ro- 
mance itself. Not only has fault been found with the 
deficiencies of unskilled authors in that department, but the 
question has been asked by one or two critics of standing— 
What right has the Historical Novel to exist at all? More 
often than not, it is pointed out, the Romancist gives us a 
mass of inaccuracies, which, while they mislead the ignorant 
(i.e., the majority?), are an unpardonable offence to the 
historically-minded reader. Moreover, the writer of such 
Fiction, though he be a Thackeray or a Scott, cannot sur- 
mount barriers which are not merely hard to scale, but 
absolutely impassable. The spirit of a period is like the self- 
hood of a human being—something that cannot be handed 
on; try as we may, it is impossible for us to breathe the 
atmosphere of a bygone time, since all those thousand-and- 
one details which went to the building up of both individual 
and general experience, can never be reproduced. We 
consider (say) the Eighteenth Century from the purely 
Historical standpoint, and, while we do so, are under no 
delusion as to our limitations ; we know that a few of the 
leading personages and events have been brought before us 
in a more or less disjointed fashion, and are perfectly aware 
that there is room for much discrepancy between the pictures 
so presented to us (be it with immense skill) and the actual 


II 


facts as they took place in such and such a year. But, goes 
on the objector, in the case of a Historical Romance we 
allow ourselves to be hoodwinked, for, under the influence 
of a pseudo-historic security, we seem to watch the real 
sequence of events in so far as these affect the characters 
in whom we are interested. How we seem to Jive in those 
early years of the Eighteenth Century, as we follow Henry 
Esmond from point to point, and yet, in truth, we are 
breathing not the atmosphere of Addison and Steele, but 
the atmosphere created by the brilliant Nineteenth Century 
Novelist, partly out of his erudite conception of a former 
period, and partly out of the emotions and thoughts engen- 
dered by that very environment which was his own, and from 
which he could not escape! 

Well, to all such criticisms 1t seems to me there are 
ample rejoinders. In the first place it must be remembered 
that History itself possesses interest for us more as the 
unfolding of certain moral and mental developments than 
as the mere enumeration of facts. Of course, I am aware 
that the ideal of the Historian is Truth utterly regardless 
of prejudice and inclination, but, as with all other human 
ideals, this one is never fully realised, and there is ever that 
discrepancy between Fact and its Narration to which I just 
now alluded. This being so, I would ask—Is not the writer 
of Fiction justified in emphasising those elements of History 
which have a bearing on life and character in general ? 
There is, doubtless, a wise and an unwise method of proce- 
dure. One novelist, in the very effort to be accurate, 
produces a work which—being neither History nor Fiction— 
is simply dull; while another, who has gauged the true 
relation between fact and imagination, knows better than 
to bring into prominence that which should remain only as 


12 


a background. After all, there are certain root motives and 
principles which, though they vary indefinitely in their 
application, underlie Human Conduct, and are common to 
all ages alike. Given a fairly accurate knowledge as regards 
the general history of any period, combined with some 
investigation into its special manners and customs, there is 
no reason why a truly imaginative novelist should not pro- 
duce a work at once satisfying to romantic and historical 
instincts. 

Again, if it be true that the novelist cannot reproduce 
the far past in any strict sense, it is also true that neither 
can he so reproduce the life and events of yesterday. That 
power of imaginative memory, which all exercise in daily 
experience, may be held in very different degrees, but its 
enjoyment is not dependent on accuracy of representation— 
for, were this so, none of us would possess it. In an anala- 
gous manner the writer of Romance may be more or less 
adequately equipped on the side of History pure and simple, 
but he need not wait for that which will never come—the 
power of reproducing 7 totoa past age. If, in reading what 
purports to be no more than a Novel, the struggle between 
Christianity and Paganism (for example), or the unbounded 
egotism of Napoleon, be brought more vividly before our 
minds—and this may be done by suggestion as well as by 
exact relation, then, I would maintain, we are to some ex- 
tent educated historically, using the word in a large though 
perfectly legitimate sense. 

I recently read a work which here presents itself as 
admirably illustrating my meaning. In her too little known 
‘¢ Adventures of a Goldsmith” Miss M. H. Bourchier has 
contrived to bring forcibly before us the period when Napo- 
leon, fast approaching the zenith of his power, was known 


13 


in France as the “ First Consul.” The ‘‘man of destiny” 
himself—appearing on the scene for little more than a brief 
moment—can in no sense be described as one of the book's 
characters, and yet the whole plot is so skilfully contrived 
as to hinge on his personality. We are made to feel the 
dominating influence of that powerful will upon the fears 
and hopes of a time brimming over with revolutionary 
movement. Whether the Chouan revolt is in this particular 
story accurately depicted for us in all its phases, or whether 
the motives which impelled certain public characters are 
therein interpreted aright—both in regard to these and other 
points there may be room for doubt, but at least the general 
forces of the period are placed before us in such a way as to 
drive home the conviction that, be the historical inaccuracies 
of detail what they may in the eyes of this or that specialist, 
the picture as a whole is one which, while it rivets our atten- 
tion as lovers of romance, does no injury to the strictest 
‘Historic sense. 

I know well that numerous novels might be cited which, 
besides abounding in anachronisms, are harmful in that 
they present us with a misleading conception of some per- 
sonality or period; moreover, I acknowledge that this defect 
is by no means confined to romances of an inferior literary 
order. That Cromwell has been unreasonably vilified, and 
Mary Queen of Scots misconceived as a saintly martyr— 
how often are these charges brought against not a few of 
our leading exponents of Historical Fiction. Let this be 
fully granted, it remains to ask—To whom were our novelists 
originally indebted for these misconceptions? Were not 
the historians of an earlier generation responsible for these 
wrong judgments? True, the real Science of History—the 
sifting of evidence, and the discovery and unravelling of 


14 


ancient documents—may be described as an essentially 
modern attainment, so it would be unreasonable to blame 
our older historians for errors which it was largely, if not 
wholly, beyond their power to overcome. And it is just 
here that I would emphasise my defence of the Romancist. 
If Historians themselves have differed (and still differ) ! may 
it not be pleaded on behalf of the Historical Novelist that 
he also must be judged according to the possibilities of his 
time? For, while he may have too readily adopted false 
conceptions in the past, there is no necessity why, in the 
future, he also—profiting by the growth of Critical Investi- 
gation—should not have due regard, in the working out of 
his Historical background, for all the latest ‘ results.” 
And, I would further add, even though it be true that Scott 
and others have misled us in certain directions, this does 
not prevent our acknowledgment that, given their aspect of a 
particular period, it was only fitting that the scheme of their 
novels should be in harmony with it. If ‘* Bloody Mary” 
was a cruel hypocrite, then our reading of her period will 
be influenced by that real (or supposed) fact ; but, if further 
investigation reverses this severe judgment on the woman 
herself, then, in Heaven’s name, let us mould our general 
conception afresh. The fountains of Romance show no 
sign of running dry, and, though we may look in vain at 
the moment for a genius of the very highest type, the Future 
has possibilities within it which the greatest literary pessi- 
mist among us cannot wholly deny. If, then, fault can be 
found with the older Romancists for the spreading here and 
there of false historical notions, let us look to future workers 
in the same sphere for adjustment. I believe, however, 
that one notable critic has pronounced the mischief already 
done to be quite irreparable, seeing that the only ‘‘ History” 


15 


at all widely spread is that derived from those very romances 
in which errors are so interwoven with the sentimental 
interest of the plot itself that readers inevitably ‘‘ hug their 
delusions!”” But I think that this danger need not be con- 
templated seriously. The Historical Novel exists primarily 
as Fiction, and, even though in our waking moments we 
may be persuaded of the unreality of that ‘‘ dream” which 
a Scott or a Dumas has produced for us, we shall still be 
able to place ourselves again and again under the spell of their 
delightful influence. Moreover, while admitting Dumas’ 
carelessness of exact detail, it would hardly be contended by 
the most sceptical that his works (still less those of Scott) are 
without any background of Historic suggestiveness. Scott, 
indeed, shows signs of having possessed something of that 
‘* detachment ”’ which is one important qualification in the 
Historian proper ; there is a fairness and prevision in his 
historical judgments which we look for in vain when reading 
the works of his contemporaries. 

And, having thus touched on what I believe to be the 
true relation between Romance and History, I may note, as 
a last word, the use of the Historical Tale to those who 
have the training of young folk. That ‘ desire to know,”’ 
which is an essential for all true learning, is sometimes best 
fostered by methods outside the ordinary School routine. 
Thus, as regards History, where the text-book fails in 
arousing interest, the tale may succeed, and, once the spirit 
of inquiry has been stimulated, half the battle is gained. 
In saying this I am far from wishing to imply that the 
reading of romances can ever take the place of genuine 
historical study. I know well that such a book as Green’s 
‘‘ Short History of the English People” may prove to some 
more fascinating than any novel. There are, however, cases 


16 


in which recourse may be had to a high-class work of fiction 
for the attainment of a truer historic sense; while, taken 
only as supplement to more strictly Academic reading, such a 
work may prove to have its uses. Considerable discrimina- 
tion is required—as I have already hinted—in the choice of 
suitable books, and, as a help in this direction, I have made 
out (vide ‘‘ Suggested courses of Reading” at the end of this 
volume) two special lists for Boys and Girls respectively, 
which will, I trust, be found useful. If, besides being of 
help to teachers, my recommendations should lead in any 
degree to further appreciation of the great masters of 
Romance, the labour (by no means inconsiderable) expended 
on this little compilation will be amply rewarded. 


He N e 
January, 1902. 


7) 


SS ee ea, 


*sajasIony 
pue ‘iajowoytyg Awejo}q—jidAsq 


‘OWI 


“ONG 


*yeoID) oy} JOpuexoTy 
"IVAA UvIsouUodo]ag 


‘ora Amnquay 
yg ‘saskqueg pur siseury—jd3q | 


*JOWAOJIYY 
oy} {19}S¥O10Z 


*SLI}SOsag sosomey—jdAsq 


SNOISIPY UvIsIOg 


‘aBVyIVD s7s4a2 vWOY | pur ‘suog s.tuevujng ‘g "“D 


"“Loafaas 


‘suviiXssy oy} pue uojdqeg juaIouy | pu “od ® JyOeYL “"M 


0D) ® MO'TT uosdures 


UOS * ayo 


UULUOUTOFT "MA 


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"02) 29 A2]99S 
"0d 2% A2T22S 


0D ® MoT uosduirg 


*0D 2g VET MOB TA 
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(‘ste1y) sraqq 51095) 
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yomnyd “f ‘Vv 


(‘sueq}) staqyy 31095) 


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(‘suvi}) siaqq B1035) 


aTMAPW atm ‘f *D 


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NVINOG 
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| SNEHLY 40 TIV FHL 


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18 


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GNYSQOHL OMY 


svISAYg 


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ADVNIYOIIG S NOTA 


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MAWWV]T FHL 


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[Se ee ee ee ee EE — ee 


19 


‘uvisedsaA Jo out], 
*O1IN Japun suonnsesiag 


‘OUT 


“OG 
‘ond 
"ODN JO OWI] OY} UI OOYT 
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‘yslYD Jo aw oy) ul oWoY 
"JSIIYD Jo a[diostq v jo sutowayy 


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*Loafaas 


| pue 


suog ¥ aspopnoy ‘oar 
02d H ‘user ‘suvwsuo'T 
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"OD 8% ueyyrmse yy] 
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UULUIOUTOTT “A, 


0D syeuseyy 2 yun y 


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snowAuouy 

AueH *V “9 


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DORLIUMA MOT 


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weyery "AA uyol 


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40 SAV ISV] BH] 


NAVQ ONY SSaNNUVG 
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40 

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SALSINHOOTIHG 


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20 


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‘SnI[aANY snovyy JO owTy, OD 2% ury[IWovyy Joyeg ‘M “ldq FHL SALIVA 
ZQQI ‘YIOKX MON 
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*(awoy) uelery Jo out, SUOS % pooMHMoe “AA yeyyoT "5 ‘“[ SQINAIVA 
*Loafaas “MAHSI Td Ad "YOHLAV "HOOH AO AILIL 


“AUNLNAD ANOOUS 


— 


‘ond 195199S}}0H “S$ "MA (‘suvs}) Ulaysyom ysuaq SAIGAVTID SALNINO 
ATAOM, 
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*uBI}IWOG JO OWT], 0d ® usnyjyoy plnoy-suuvg *S VILINOG 
"OD 9 “YOorT ‘prep 
*watesnsaf jo [[e7 pue 0D yaoyoryy “My | orapw ayaa “[ '*D SYOLVIGVID AH] 
*“Loafaas *UHHSITANd ‘IOHLAV ‘MOOd JO AILIL 


‘(penuyjuor)—q'y XMOINAD LSA 


21 


*pastort19 ATo19Aas 


AraA w99q Sey IT DURUIOI 7HILLOZSI7 B Se {ySoID}UT AIvIO}] SII JO JUNOSOe UO AjUTeUT sdeTd wv UOAIS st ‘pojqUIpE Oq YSNUT 41 ‘OTE SIGT, » 


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*ulv}Ig Ul UOT]NIaSIOg 
‘Anyuad pry Jo Suruurseq—sowty 


*e][BovIeZ 
zoradwy jo owt ul vupurxely 


“Loafaas 


(0691 ,,‘dev1g27 
PY 5») OD ® TPsseo 


"OD 2 oule AA 

"0d » AouMOog 

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aespo[Mouyy ULNSUYD 

Surjoworg 10J £}a190G 

"0D » Aeiqmoyy 

"OD % A9}sIqs] 


0D ® MOT uosdures 


“MMHSITANd 


“AUNLNAD GCuaIHL 


(‘sue3}) s1aqq 31005) 


(VIZONYZ) 
VIAWIVG 40 TIVA 
OnE ANY SAV JLSV] FHL 


DIZAA “AA NVITAUNY 


aIOOJ SvUOY T NVauNoIdy TH Le 


UBUIMIN “TT ‘f VISITIVD 
snidnvip 

syny "T ‘a 40 VITIA FHL 
NUAZAIS 

ayVID ‘dd '‘V GHL NO dNVD AHL 


plnoy-suiueg ‘Ss VALaddag 


vurdsy wId 


“MOHLNY *uMoOd AO ATLIL 


22 


wWSLYQ-Wuy pue styD ,, ABopt3 943 Jo 1 ony | 


*Sogr pue ‘Z¥or “61Sr ‘ozzr ut ajt] ueWIay yoIdep (og-bZgr ‘otsdtayq jo jazatpy Aq poystqnd) 
Sa110}S Inoy Sutureutas ogy { Ajaatjoodser bz/ puv LSE savat ay} YIIM Surjeap ‘sar10}s OM sy ay) PucAdg pud}xe JOU Sa0p UONE[SURI} YSI[sUy 
YL “UOESI[IAID UBUIIED JO Sade}S DAISSQDONS OJeAXSN][! 0} opeur si AjtuLy v JO A1OJSTY-94} YDIYA UI Saties ¥ JO 9]}1} GATIIAT[OO OUT, 


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"16€ ‘ay viupuexo[y Sggr Sod ® s9UqNIL (‘suvs}) s19qqy 31094) SIdVaaS 

*SULWOY JY} A9puN D1IqQ[aployy{ O88I “OD XH JOUqnI, | (‘suvx}) 10[Ae yz, ad10945) vial 

‘uvtnf iorodwgq oy, 0D ® BqQuysuod |(suvxj) rysmoyforsyy ‘q | AHL Ao SRE 
erydjapermd 


‘19€ ‘av suayiy | ‘siayjorg 2 uosia}ag ‘g “IL (‘suva}) Sioqpéy ‘A | NVINIHLY LSV] FHL 


(gauyy eq) 


"LSE sary Aueusy ELg1 SoD w AdYysy | (‘suvsj) SeyAo1J avjsny | SUFHLVAATAOT xnO, 
*eIqvIY UI suRT}sIIY "0D Y MoT uosduivg | (‘sues}) sIaqy S1095) WAS ONO} 
“Loafaas ‘MAHSITANd "OHLAV *MOOd JO AILIL 


‘AUMNINAD HLYNO0A 


228, 


‘oLb ‘ay ‘suoljersiy ULWIDD oY], 0D WY urx][IWworyy (‘suvsj) uYyeq xI1Pa7 SYLIOITI 

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AUYOHS NOXVS 

‘uleyIg wor; suvWOY Jo sinyAedaq 02d x» A2]99S yomny) *[‘y | AHL 40 INNOD AHL 

*eLIPURXITV OD ® uxppimoryy Aa|ssuryy sopeyD VILVdA}] 

*Ainjuad yyty Ajrea su0y CSgr ‘suing UvUIdSTAA [VUIPIeD VIOISV 
aspoayMouyy ueTysIIyD WANONOD 

‘O}Ip owo10f Surjoworg 10f Aa1I90G sopivyD ‘Ss | OL GNV ONIXANONOD 

*[Aanquay 

yt Apzwa—yyino,q axe] woysoshryD | ‘0d 2 ‘urery ‘suewsuoT Ieuey uvaq | ‘SdNOID ONIVAHIVSH 

“Loafaas *UdHSITaNd “MOHLAV ‘MOOd JO ATLIL 


ACOENAO HLA 


24 


*(yIaq ay” Jo aut) 
Jopiog AarINg ay} JO uoIsiaAUu0Z 


*pur[suq pue yrwwusd 
*gbS ul ow0yy 


“sniesifag pue Sy}OSOI}SO OY], 


‘IYSYIOR Ul suvipsuy ‘2 sureywg 


aSps_MOUyT ULTISTIGD, 
Surjowoig 10f Aja190G 


SUOS 2 UOSTON * 
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uo\suIvIg “J 
FOTSTUM “M "OD 
SUTT[OD OTAITM 


glgr ‘Aajjuog "yy (‘sueq) uyeq xIay 


*0-d ® yYWomyonqg 


*Loafaas 


“WAHSITINd 


AUNINGD HELIS 


ysor10,q odr0yy. 


“MOHLOV 


NMOUD) NAAVHS 
ANVG FHL MOTAAV]T 
VNINOLNY 


AWOY 
YOA TIONAALS VW 


ALSVM 
aHL AO Sudating 


“MoOd AO ATLIL 


25 


“pel ‘a'y Jo Kuvurszay oy} soyerjsniy! (uorjses Arnyuad yyNOY 3722) ,, s1oyIVJa10,J NO ,, $,3ezAaIq UI 9]%} puodas oUT, y 
ee 


‘Ainjusdg YIYySsty ay} Jo J[ey puosas 


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ut edomgy wsoyyoN pue purjajy | ‘uopuoyT ‘hap10 2 siapunes 


WAS ar 


“Loafanas 


“UAHSITAI Ad 


NOISVAN] SHY, 


“MOHLNAV 


ACTON HLH 


*‘“MOO@ AO AILIL 


[MM Mn LiL ee 


"Etg ‘a'v dk3q 
‘JYSIAA JO dS] Oy} Ul suoxes 


*vIIQUINY}10 N' JO UOTSI9AU07) 


02d ®Y rouqnay 
"0d 2» Aatoas 


as pa[ MOU, UvI;STIYD 
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(‘suvs}) staqq 31085 
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SITJOH] epnzyiay 


*“Loafaas 


“UHHSITaNd 


“NIOHLNAV 


‘AMNLINAD HINAAYS 


ATIN 
AHL dO Aqlug AHL, 


VTIVMaavo 


VI1dV JO NOS FHL 


*MOOd JO ATLIL 


26 


“Sunof A194 ay} 10} parins Ayjeroads ‘pooyoq 8,paasty Jo A10ys Suyurreyo jnq yy sys £19A V » 


SS 8 Se SSS 


‘oy 


‘OWE 


“oI 
‘owld 
‘owd 


LORMGI 


mG | 


‘Soult SIY pure PeyTY 


"AVIV OY} punurpy 
‘(Aimqusg YyIUIN pry) JMApyy 


09 ® ospuyeg 


oD BY aeys ‘Af 
"0D ® osSpuyleg 


SUOS ¥ UOSTON “L 


wos 3 apr 


"OE 2 uR]TWOL]Y 


J9ISIN “A 


12}SIN “HL 


suoS % ppoxel 
wos % SPM 


uvaog woy 


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PIsod Ht PZ 


TOPSTUM “M “OD 


Ayuay] “Vy ‘9D 


UTD “A 


YOLMsoIg [neg 


WUD oT[AULTY “D_ 


IaziS “Ley 
JONSTUM “MOD 


XUSSH\\ JO NOI'T VW 


LHDI'T 
aNV NMVGAVC LXIML 


ONIY OUI] V 


ONINIA 
S.dayily ONY 


NUAVY FHL 
aNV NooVud @HL 


aauity 
ONIY FAVS doy 


NAVY 
MOVIG DHL YAN 


SAV S,daudTay NI 
SNOS SONI FAL» 


HLASO 
40 DNIOOM AHL 


XUssa\\ JO ANVHL V 


*Loafaas “UHHSITANd “YOHLNV *MOOd AO HILIL 


ae a | SS SS 


ALO ENG UN IN 


27 


*oOnIC ‘0D H SuaoIg ‘suvwsu0'T WVD‘d'V GNVQ WHHL UvoaTy 


UNVH], 
‘apIsuoly punwpy uosg % a1y9VIg od NOdVOM UHL O1NATAM 
*Apvaiug ay} paspeuyy uog ® a1y9vIg JOSIYM "AAD | NVNSNIY SAVIO ONI, 
*skeq SJeIO 1S OD HY urypiwmoryy Haqiog uvynf | Guvosy 40 TIVy AHL 
‘AUMION pUuv vISsNy UO0G 2 a1yoVI_ Uoj}YSIaT WaqGoyY | SAOIYOIDH AHL AVIO 
*“Loufans “MUHSI 1d nd "MOHLAV *MOOd AO AILIL 
AUDITING HINGAGISs 
*Arnquad DILIVG 
Yyuay Jo z9}1enb jsv] —ssuryrA ey, Sgr ‘eq ® uewdeyg9 juaseq "AA ‘5) | AHL AO SONINIA AHL 
*urjsunq—ulrjyug | ‘0D x» ‘useIDn ‘suewsu0T PAID “dC ‘V UIVYA AHL AMAT 
"ox ‘sunz] oy. —Auewes 0D 2 MoT uosdues (‘suez}) Jayeyos aUuvHaAAy 
*sso[iva.q ay} preyorny—Apurur0oN OD ® uvypimoryy aSuo x "JW o0LeYD aund FILLY IHL 
‘Loafaas ‘UaHSITaNd ‘UOHLAV ‘M00Od AO FILIL 


‘AYNLINAD HLNAL 


28 


OWT, 
‘apesniy ISITJ 
OWE 


TT BEM 
‘ond 


sCUGH 


‘oni 


‘ond 


‘ont 


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potzsd s 10ssayuod oy} premMpy 


OD 29 uvTUOR TY 


Pele Dia) V 


aSpoa[MOUST ULTISUIYD 
Surjowo1g 10j £39190 


(psdunouue 
yuridaz) "oD 2 91qRIsUOD 


UOS 2 aPprg 


0D 2 SusaI15 ‘suvwsuoT 


"OD 2 uL]TUOLyy 


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SUOS 2 aSpazjnoy 991004) 


U0j}YSNO}S ® Iappoyy 


stared *S “M 
3095 
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snowduouw 
Ayuey “VD 
axeID ‘dV 
Ag|ssuryy sopreya 


oULLIEJO *O 


qaideny sapreyd IS 
u0}AT 


uospraeq Arey 


“Loafaas 


“WaHSITANd 


“MOHLNV 


(panunyuo2)—KYOLNAD HLNAAATA 


IJ STIIM doy 


sluvd 
40 LYadOY INAOD 


WIISNY 
‘LG JO SAV FHL NI 


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day FHL uo ‘snasny 


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AHL GUVMaAUUTT 


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-NOD FHL WVITIIM 


atouvy 


ATIXY AHL GCAVMAY 


“mO00d dO AILIL 


29 


*(Ainquay yyuseqty fy, 
Apres 0} YAM, 93v]) ysanbuoa 
[OSuoJ 94} puv sapesnag jo potag 


“0 


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"OD ® aqvyisuog 
0d XY uony oI 


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—_~—__ 


(‘suv1}) unyed uoaT 


yooovag dAo'T svuloyy 


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ond 

31095 

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veND “a 

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“AUMINGD HLTA ML 


UINNVG ANIG AHL 
NVIUVJ GIVIN 


AYN 
-ANV-VIA. GUVHOIY 


AOHNVAI 
NVNWSIIV], FHL 
ANVN SIE] NI 
SMVILNO Lsayog 
CaHLOYVLIG AHL 
sINNuD VIA 


NIVHD) NaaTtoy 
aHL dO LHDINY FHL 


ATIIY ONIAVAY 
40 GNFOaI V 


ISHIUg FHL OAV 


*MO00d AO ATLIL 


30 


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‘sIBAA SUOIVG—'"T]T] AUaTz] 


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‘Anyusd Yusopry y-prut Auews5 
gE VEEL | 

jorndwq jo poied—aAyei] 

Amyusd yyuoojznyy, Ap1e9 ur souesy 


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—sasuasiq yy oY} JO uolyndasi0g 


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*(x9}1eYD 243) OFT 
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OLNTAANAT 
Id VIIOVLLYG VT 


sALsnDAY dITIHG 


vaoT 
SNONVY LSOW AHL 


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GNV ACAWANNAY 


YAMOD NOLSAOY 


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“MaHsSITaNnd 


“MOHLNV 


"MOOd AO AILIL 


"AUNLINGD HLINAYLYIAL 


31 


‘OIG SUOS % UOSJAN “fp uddI4) WoI9Aq “Wy 
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32 


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41 


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42 


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48 


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44 


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45 


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*(pannnyw02)—KYNLINAD HLNAALXIS 


47 


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49 


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50 


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52 


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53 


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54 


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*(panu14109)-XYOINAO HLINADLNAAGS 


55 


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“MOOd AO WILIL 


58 


“Pggl ‘uojuNney, ye Sutsry 
TEESE aeltese eS Jo poled 


‘ond 


OWN 


*ANjUID YJUIAJUOAIS 97e] ‘eIUISITA 

‘rem Ss diytyg suny—vousewy 
“OWN 

*([pypmnyy vyof) auuoiny, jo sieAy 

“CALX Smo) sazyq YSN 


‘rauosiod ay} ‘sio1pIAuLg op osmbieyy 


‘op ‘UOUDJUIL Op owWepLyy 


‘poried "AP X sino’7q Ayava ur aanqusapy 


“PROM MON pur plo— ATX smo'y 


“Loafaas 


UULUISUIOTT “AL 


0D HY urqyuovyy 
Avumnypy uyof 


suos 2 posse lf 


OD ® aIqQuysuoy 
SOD 3h [13842 

°0D BUENA 
siayjorg 2 sodavyy 


usonbovyy *f 


(9881 
‘uoltps Mau) Aatuag 


u0g ¥ arprig 


suog ® pjouef 


"OD Y vanyay 


“UdHSITaNd 


UOS}VAA HOMILY "g “H 
asuoK “J MOPeYO 


SUDATIAA “a Arey 
ONY WEqIMH 


uojsuyof Avy 

Sula S a 

uo}Ing ajepunolq ‘f 
JOUIVY “JA [Jessy 
(‘suva}) preyoy eppzwy 


yuUrs Weqry 
prelpod eZ 
(‘suvaj}) JeT[e+4) sino’T 
OES EMG EAB 


“MOHLOV 


*(panuyu02)\—KYOINAD HINAALNAAAS 


TAday AHL 


ONIT 
“ADNVHD GaLAday VW 


AVM 
-HOIE] S,LUVAET AL 


VINIOUIA AO NVIATA 


(adOP] 
JO SYANOSIY) 


NOININOG GIO aH] 
ONIN VY ONINMOYONG 
SWUY AO HSVID FHL 

LUVdIYELINNOD SIT 
AOIATY NAGIOD AHL 


SUAITIIANLUG 
AO SSUNOIHOUV FHL 


LINDIS SONIY FHL 
NVLVS NIVLdv) 


Gagug 
SAIOM MOVIG FHL 


*MOOd AO ATLIL 


59 


‘QSULICO JO UII 


*(4-$g91) ond 


*(S19]UBUdA07) ond 


*[] sow jo pouag 


‘ond 
‘OWI 
OWI 
‘op 
ontId 


“OWE 


‘ond 


"UOIT]AqGaAY YNowuoW—']] sowel 


*Loafaas 


Lrgr ‘hayjuag *y 


Aeunyy uyof 


‘0D % Uel[IMe 


0D XY uanyy2IW 


‘OD ® Aayaeg 

ofgr ‘Aapjueg “y 
Aya10g yer snosyay 
"0D 8 uenyqpPW 

"0D B “OT ‘prem, 
suoS ¥% UOS|aN “Lf 


‘0D % ‘usaIn ‘suvwmsu0'T 


SnpUrM  OVBYD 
‘02D ®Y MoT uosdurs 


“UHHSITANd 


TeH “SN 


pleuoporyy preuoy 


NOSHINE Aol W 


NYPD "Y's 


T[eysivyy vuway 
UD preseg 
dAvIg[eg ‘A IN 
pmnon-supeg *s 
AVI[ET XPV 
UddIL) WaIDAW “A 


ajAoq uruod 


juvsagq 13} e AA 


aOW YL "Gg ‘YW 


“MOHLNV 


*(panuiju02)—KYOLINAD HLNAALNAAGS 


| 


*(gg91) posed uolnfoasy 


MVILNO AHL 


ONIY 
AHL JO GUYOMS AHL 


WaATMIAG AOIVOP| 
JO dIHSLuGo) AHL 


UaUVA_ 
GUVANVLS AHL 


TTASSNY 
AAV] THHOVY 
AO AOIAUIS AHL NI 
HLAONWNOW 40 aNnG 
TISAVID FAQ 
HLIYQ 
OVIA JAIGg AHL 
NMOL NOLNOAV] NI 


ANUVID HVOI 


WOdaau 
ANV HLIV. UOJ 


ANOOd VNUOT 


“MOOd AO AILIL 


60 


i 


*(0691) audog 9y} Jo apeg 


*OnIg 

OMG 
*(6g91) Arszaq jo aBa1g 
“19)YSnep-puely s,][aMuUlolD 


"CTI WeITIM—"IT S124) 
Wet 0} Arey jo adeLuvyy 


‘ond 


“TIT Wei 


‘ox ‘skaajof adpnf jo pousg 
*ontd 


‘oni 
aYURIIITP JO 91 


(9991) potiad uonnpoady 


*“Loafans 


uyqnq ‘Aynq sowef 


‘oD Ye ‘W ‘f 
"OD ® uosuryoyn yy 
"0D “OT “PEM 
suog »% pjouel 


UOS Y Sel 
02) ¥ A2]995 
0d ® [198sVD 


"OD R ‘Y90T ‘PIBAL 
0D ® uanyyJ 
"0D ® Surusary 


SUOS % odpaTNoy ‘095 


PBA °O BV 


“MAHSITANd 


wiueg *f 


Apeiy.O Ystpurys 


A9y 3M AW “S 
wens "H “A 
[]eysavyy euruy 


hed *V (N 
[eysaeyy PU 
“ re) LP) 


yyeug ‘2D “f 
NexID "Y 'S 
Wey *f 


queig sowel 


(uoneysuvi) 
jauuiyos “f “FT 


“NOHLAV 


*(panuyu02)-KYOLINAD HLINAALNAADS 


YALVM ANAOG AHL 


saNv{ ONTY 
JO AAVM AHL NI 


NOIS NOSWIYD FHL 
saOq SNVIN V 
VAS HLYON FHL Ag 


Naan? 
AHL SSAULSIIY AWW 


AVIV NOLONISNAY 
SNOITIAVd FAT, 


NIAUVIN 
AHLOUO( SSAALSIJ 


UVANIHOOT 
AZIVHTIQ) NVONTIY 
WHTIVAVD 


HSILLOOS AHL 


NVWSGUVADAAIT AHL 


“MOO AO ATLIL 


61 


a ee eS 


“CILX SeptyD) 6691 wos uspeas 
(Aunquag 

YISI-YyIZI1) syovssoD ay} pue eddazeyy 
*(g691) BUYS 

UdILIvG 9Y} PUB UOSID}Vq WIT[IAA 


‘L691 ‘Aueduiog vipuy yseq 


*(19[sI9"J qodef) YAO MIN 
‘1910|dxq youaly ay} B][eS wT 


“ONId 


‘epeurd jo uonednds0 youary 
‘ond 
yeary 34} 
Jajaq Jo skep [nyynok ay} ut vissnyy 


S691 ‘uLIyjJOT yseq 


‘mAYysny Jo a]}eg 
*(0691) audog ay} jo apieg 


*Loafaas 


Sots ice Aakers A488 Bea 
SHPOLMS 32077809 
zSgi ‘uanqjod 


SUOS *y poomALIG “AV 


"0D 2B ‘UNYIIA ‘UoyYySnoyy 
SUuOS ¥ UOS[PN *L 


OD 7 UENY}eTV 


Aeunyy uyof 


"0D % ‘ueuey “YIWUD 
pag puv Avy 
PUM ‘OV 'V 


urfqnag ‘Aynq sowef 
0D ® aquysuod 


“UaHSITANd 


Aaread "MW 
ESTE MAS t 
uopINGIVAA OIA 
Jay *9 Aaupds 


youudg "Ty ‘a 
UddINH) WIA “Wy 


JayIwq Y2qy!y 


UIMIITT °S 


MEUSIOM * 
1opAvy, Avpwy "yw 
}]09S 


UOP[ICD “A 


Aoudkelg uaMo 


NILUVJ UADISNOIW 
VdddzVIN 
NAV 


AN] LSHHLNAY NI 


UALHOAVG 
sWwadgg IHL 


SUTANOIG ONAOA AHL 


auoMs 
GHL JO TIVYL AHL 


OVNELNOUT 
OL GvOoy AHL 


and NOI'T aHL 


ASVOUIVIS 
Gay AHL NO 


YOOWUANNVT 
40 AdIug AHL 


NOINVH,.O 
INNO) GNOWaay 


NOHVJ OVIN AHL 


“YOHLOV 


“(panutquo2)—KYNINAD HLINAALNAAS 


‘mMoOd AO AILIL 


62 


re nnn ee 


Ou SuOS 2% a5pa[jnoY *094) YOMSUTY WOSTIe]] SSaWv{ “LS 
‘(proiqy pue pur[suq) OWI SuOS  aSpapNoyY “094 uo} AT XNGUAAAG 
‘auuy Jo oy, "0D “pla “yWUIS Avrwayovy |, GNOWSy 
‘ooLI 
‘spurjsy AouxIO pur puer[yPeyqs PA “O BV 33095 ALVUIg IHL 
‘Loafaas | ‘WAHSITANd ‘MOHLAYV ‘100d JO AILIL 


ee 


‘“AUNINGD HLINGYLHOIG 


a 


‘ow ‘sojellg sues, y ‘0D WY souuy ‘q ‘V yaueg yur SANDOY AO LAS VY 
AGCNONSO 

0 OD) FY Ure M od 40 HOVU sSipf 

-€anquad yyWI9}UIASG Jo pua ‘ayv'T [B90 0D FY Ouse young uosspoyy *yq | ALITVAG AO AGVT V 
“Loafaas ‘WaHSITA Ad ‘MOHLAV ‘M00d AO WILIL 


*(panunyu02)—AYOLNAD HLNAALNAAGS 


63 


OC 


*JeoI4) dy} 19}a {J —VISsNy pig 2 Aen Jopkey Avpwy ‘yy | AAO'T IVIUTIW] Ny 
*(saytqoovf) 

QoL ‘pury}oog Jo spur]MOT OY. Wr “OD VV Ho9g JUVMG WOWIG AHL 

"YIM uvog Aeuinyy uyof SPOOM "TJ JoIeTIvJY | HOIMWOHNVA YAHLS| 


TIOL $.NOLINT, WO], 


OVI SUOS 29 UOSTSN “LL UddINQ WOIIAT “W STAAVAL 
SNOLAUNT KOL 


‘(sav Ay U5T910,7) ‘ond UOS W yorIq ond advoOlg HSU] AHL NJ 
aASUOT] 

(ysno1oquieyy jooynd)  ‘onid ‘OD ® MOT uosdues omg 4O LUINYOD AH] 
GAVUgd AHL 

*(ysno10q19}97) OIG wos 2% oIyoRI[_ Ayuayy ‘vd JO LSAAVUG AHL 

‘onld 0D 3 yWoMyonG og ‘WY ‘OD eynf SASNO]] SONIM NI 

ontqd ]PMxr “yy “[ uopprlg Sstjyy SUMVHOJT 

‘ond UIMU) YS | Surpsoey 9119}sq.p es y AYAS SNAINOG AHL 

‘(unayustg Jo a1}7tg) ‘ond ‘OD ® uanyla]T uojing ajepunorg *[ |svaS LIVS AHL ssouoy 
asnoy, Nog 

*(pantttj1102)—auUUYy JO awry, owuin ‘9 “ff Suruuvyy sstyf VASTIHD GIO AH] 
“Loufaas ‘MaHSITANd ‘UOHILAVY ‘MOOd AO AILIL 


*(penutqw0I)—-KAYNLNAD HLINAALHDID 


‘ond US 2% apr 
ontd "OD ¥% uonyPeW 
‘ond SNPUIA\ 2 ONYD 

"saytqooef oy WMC “DV 'V 


*Ainquesd yjusayysiq Aj1wa—Aemoyes "00 8 aN eae 


‘Ainquadg yuesysrq Ajawa—yleg Avrinyy uyof 
*(sayiqoouf ystus09) ‘onlgd suos x» ppouel 
‘oI ‘OD » Sus2I15 ‘suvwisu0'T 
‘onlid 0D FW uosuryoynyzy 
‘onlid SNPUIM 29 OVVeYD 
*] ad1005) Jo owry, 02) 8 JU9q ‘Wf 
*(Aanquag 
YJUIIJUPAIS 9}¥] WOY) vIssNy suoS ® UOS|PN “LL 
“Loafans ‘UHHSITANd 


wpAL °S |GIVIA VILL] TVAOT V 


joyv[pulgq ‘fT ‘{ |alyLG Ao waLHOAVG V 


juvsog JO}[U MA UALSUOT AHLOYOd 
09S AOWY LOW 
NOO! 


qHL O Wav aH 
sesoery acs d aL 
SUUdIVY AHL 


uo}Suppry, yOog |AYIVINVAG WAAISNO]W 


AeMION *D AVUGNAg AONVAG 
surly ‘vy 
pue uoseyy ‘MM ‘ACV ATIAY NOSUVL 
DIVGONVT 
JIpuUvXITV ‘SIJ 40 FOVLINAH AHL 
uoqqly ‘Od ONIY AHL YOY 


a0joq | NOLWIONIS NIVLdVD 


AWUY LSOT V 


SSS ANS YALNOAH 
“UVAG FHL sruog 


YOHLNV ‘M00d JO AILIL 


*(panutgw02)—KYOLNAD HLINAALHDIA 


65 


‘(poised ej1qooef ose) ,, SUMSALTD VUIIMET ,, SJOYINY owes 943 03 Jouedns Ajpapiooq » 


a ea a = ee ee 


OWI 


*[] as1085) Jo oWIL, 

of L1 “[nquIvysS 

‘poued *[]— ][ ad1095 ur “em satA, 
*yIOX MON [PIUOTOD 


Cri ‘eurored YNOS 
(6141) 01d 
‘(giZ1) Aousdsay ayj—ouvs J 


"OWN 


"UapaMrs JO "]TX S37 


*1MSaIqOS vuNnUswa[D 
ssaoulig pue Jepusjzeig PIO UL 


*(pan21j102) sayiqooe ay], 


*Loafaas 


SnpUIAA 29 ONEYD 


suog °) aspapNoy “Oor) 
suoS 2 plore lf 
*09 x 9[qeysuoy) 
suog Ss weuynd ‘d +4) 

(‘pal pastady) 9O8I “IO X 
MON ‘UOWIPPLM “fA 
0D 8 Eq ‘W ‘[ 
0D 8 UIC ‘Wf 


oseolyy “0D X ussurf 


OS 2 aPpPrig 


‘0D ® usnyye 
0D  uenyieIV 


“UHHSITENd 


yuBsog Io}[e MM 


YMOMsUIY UOSLULyTT 


(‘stveq}) 1eyof "yy 
uojsuyof Arey 
Joudey “oy 


SUS = 
ont 
(uoneisuei}) sewing 


(‘suea}) snijadoy, +7 
AweH "Vy 'D 
uoseyl *M “a “V 
TOFS TV 


“MOHLOV 


*(panuyquod)—KYNINAD HINHALHOIA 


NUH] TIAA AVDA 
LNIM GTYIOM AHL 


UALHDAVG 
SMASIJY IHL 


UVIGI FHL ‘WIV 
Aguaay 


AAAS OL AIA 


@aSSVNAA FHL 


YALHDAVG 
SINFOUY FHL 


IVHLNINAVH 
UALIVAAHD FT 


‘IIX SATIVHD 
40 SWI, 


AUXY ALIGOOV{ V 


VNILNAWGTO, 


jsWHUy OL 


*M00d AO ATLIL 


66 


Se a ee ee eee 


‘owid 


‘ont 
‘soyiqoovf oy. 


“CHLI ul ‘soTv AA 
‘ond 


OWI 


‘ond “ond 


*(Aousaju0y) ‘oI 


‘oWId 


‘OW 

‘OWT 

‘OWI 
*(sJONY SNOI}10g) ‘TI 2d1094) Jo owty, 


*“Loafans 


[Sa ve 2S Ss Se el a ee ee 


"OD FB SUI MA 


uapmog *f 
PR "OD 8 °V 


0D ® Susan ‘suvusu0'T 


Zlgi ‘kayyueg 
siayjorg 2% Jedivyy 


oD XY uosuryoynyy 
0D ® 9IqQeIsuUoD 
"0D 8 a1qG8ISU0D 


aSpa[MOUsy ULISUYD 
Suyjoworg 105 A}a190G 


0D 2 UIE 
uosivag "V ‘OD 
PU ‘O V'V 


“YHHSITANd 


Suueyoig 1wspy 


Suryooyy ydaso[ 


09S 


[Awoosoyy uaMO 
PIEYSULAA SIMO] 
UOS}VAA WOWIVPY “A “H 


SIOUBIY ULV], 
JOAOT 'S 


HeT]OWS 


UUd J aT[IAULTL “5 
soul ‘yd ‘*D 
BPN TPM MTPH 
3909S 


“UOHLAV 


*(panu27u09)—-KYOLINAD HLINAALHDIA 


aaavi9 
410 SINALYOT JHL 


HLYOMSTIOW 
AONVN SSAULSIIN 


AVTAGAVM 


ONUY 40 
aSOY ALIVNM AHL AT 


TAZIUD) AAV’T 
dadIAIq ASAOFT AHL 


savy] 
MNONOP AYAHAL 


GAOUL AAASVAYL 


WOGNVY WOLWACOY 


NADAT GIN 
AsdI) FHL 
TIM TINTAMOTIIM 


NVIHLOTGIJ\ 10 LUVAEL 


*m00d AO UILIL 


67 


"LSL1 ‘srapssnwg 


OWT 


“Amyusy yusej;yS1q *prur ‘sisuuepy 
*(Tpeasuzo>) Aasoaq uyof jo oury 


"SLI ‘soxtqoouf 
‘OPI 
°1SZ1 ‘purpjoos 
ond 


‘(adep oyL) = ‘on 


onid 
OUT 
‘OWE 


(*penunjuor) sayiqooe aL 


*Loafaas 


PlOUTY “a 


SNPUIM 2 07324 
0D 8 eTqesUoy 
uepmog *f 


"OD 9 sO4SIGST 

‘02 P T18sseD 

"0D 9 T1988eD) 

SUOS Y POOMYANIT “AA 
SNPUTMA > OFLYD 


"0D 3 TasseD 


UIMU() Joys 


*O7) 29 USNY}P]T 


suey uyof 


“AHHSITANd 


Jouy[ey spray ‘f 


sory *f pue juvsag "Ay 
Hous 
Suryooyy ydesof 


oluny, [ION 
ond 
UOSU9AI}S Hl ea | 
UOS}UAA "'T “MA 
apg “V "I 


WOSUIAI}IS “JT “yy 
SBMS TANT 
uoying aT[apunoyg ‘f 


uvyong ‘[ 


“MOHLAV 


LIAIANOOJ 


LIATY] FHL 
40 NIVIdVHD AHL 


YAANIIO ATUHaAWATT 
LHSIMHLYIG AHL 


ANNLUOT 
40 SHOHS FHI, 


VNOIWLVD 
daddVNGIY 
INVADUES AIS 
LOOS GXIIXY NV 


AVUINVIIVG 
JO UFLSVT AHL 


SNAHLIIM AO LaowoIY 
aaONNONAG 


SuvVaA GIO 
40 AV] LsoT V 


“M0Od JO ATLIL 


*(pany4u00)—KYOLINAD HINADLHDIA 


68 


“ond 
ONG 
‘Ainquad yyusoaiysrq oyppru ‘vipuy 
"1g-gbL1 ‘yeopueusys oy} Jo AaTTeA 
*Ainjuad yjU90}491q 


JO a] pprw ‘(uojsog) voowy 


*‘o}Ip ‘ond 


*Ainquayy 
ywas;yS1q JO appt “Yo MON 


‘Aimnyusd yuseystq jo ojppru ‘yjyeg 


Amjyusd yyu92}431q Jo 
pus 0} d[ppim wo ‘uOTYsEy JO PLIOA, 


‘O79 “YuINH “yWwspjoy 
*Arnquasy 

yyussyysiq jo appprur ‘e8vjg ayy 

"6SLI-ZPLI ‘japuryzy 


*“Loafaas 


SUOS 2 POOMYIIT “AA 


02) % ‘neg ‘uvSoy 
Ope oes le 
0D XY MOT uosduirs 


‘02 ® MoT uosdureg 
usanboryy *f 


SIOUQIING 


0: 2 uxypwoLyy 


"0D 2% “Eply ‘yWUIS 
‘OD ® uosuryonyyT 


SHPULAA 29 OEY 


"0D ® Aayaag 


“UHHST1ENd 


Jay ‘9g Aeupks 
1O]AVy, SMOPLITT 
Away "Vv "D 
ay0oo9 “a “f 
youudg “y ulmMpay 
uoleg "y 


pue }joueg uos[t\A 


Suipineg “yy *f 


a[ISUD UOJEDY 2 sousy 


Avxoyouy L, 


100 WoyyURy “yy 


aproy sepirys 


[[eysieyy vu 


“AOHLNV 


*(ponusqu02)—KUOLINAD HLINAALHDIA 


NaTAzT 
UGHLONY @4uI'T 


TIFINVG Hd TV yy 


VIGNI NI FAIIO HLTA 


XVAUNIV 


ADVIUANS SUNDV 


WIOA MAN GIO NI 


AGISAUL 
SNVNHOLNAQ aH, 


AGUWOD HLvg AHL 


NOGNA'T 
AYAVG AO SYIOWAN 


adiug Awvssaf aH] 


NOLONIAIOM DA 


SNVIOISAW 


AHL AO UAISVIY FHL 


*MOOd AO ATLIL 


| 


69 


‘poriad siqy IIA Suleap saoueuros pesdaas SYR TUN, "I JO 2UO » 


“On 


“Ainquay yyuse3ys1q appr ‘eprurd 


“Amyuad yyusezysiq 
JO 2[pprut ‘epeueg pur purjsuq 


‘OWI 


‘ond 


"IBAA SIVIX UIAIS IT 


‘Ong 
"JeIID IY} YOuspery Jo sunny, 


‘vuysny jo ssaiduiq ‘esorayy, ele 


"SIDIPVUIIE) JULI) SIY 
puv vissnzg jo "] Wey YUepeaT 


‘Ainquay Yy}UI}4SIq I[ppiw ‘vissny 


*‘Loafaas 


auv'y uyof 
04) % {nvg ‘urday 


0d) ® Aalaas 
0D 3 Asumog 


U0g 9 soe 
sisyjoig 2» Jsdieyzy 


09 » uojaiddy *q 


3309 19}[@ AA 


obgi ‘uinq{oD *H 


suosg X posel 
SNPUIM 29 O}}FUD 


*MaHSITANd 


ont” 


syoqo"y “D'°d'O 


uoyIg JIOUTA “| 


aMoT ‘OD 


Ayuayy "V °D 
TPaves ‘A ‘W 


(uorje|surd}) 
yoeq(qnin esino'y 


(‘suvi}) pues 931005) 


(uorjv[sues}) 
MOZ[Vtg “VT ‘OD 


oud “a eleus 
sdyayy anyway IIS 


“MYOHLAV 


*(panutqu09)—KYOLNAD HLNAALHDIA 


UNITAONVAQ 
OL UALSIS V 


Lsauog 

AHL NI aDYOJ FHL 
HONOUg LOAWY 
AVLS NATIVA V 


Lvauy JHL 
MOUAGAAT HLTA 


NOLTINVH] NIAVS) 


ATINV SIf{ GNV 
LVAUD) AHL HOLVACIAT 


LAVISTOGAY 
40 SSHINQOD FHL 


OTAASNOD 


anovud 
40 NAZILIO AHL 


SAOT 
ANI, SONIM FHL 


NOUlg Ad NVA 


‘Mood AO ATLIL 


eee 


ee eS EE 


7° 


‘AX Simo’y Jo out) ul ainjusapy 


\ *(sal10js opesug 
ysuy) ‘929 ‘anopeduiog ap asinbiepy 


ee . 


| ONT 
"AX eee ‘Qouvl iy 
‘AX sino7T Jo skep ay} ut Soaqan?y 
a) (eed 


ad1094) ‘purljsuq pur vouowy 

*gSZ1 Seuadeyieg 

‘(ivy youarg) “gSZ1 ‘eouawy YON 
LZSLr Swyeajuoyy 


‘sagan jo Suryey ayy, 


“AInqUaD YWUI0;431q e[ppru ‘epeuesy 


*Loafaas 


"OD % ury[woey 
OD 3 uosuryoynyy 
“ODD ¥ [[9S8seD 


slayjo1g 2 ledieyzy 
‘oD 3 wad "Wf 
SUuOS » plolef 


0D 2) EPI, ‘yINWS 
10}9) x» uoNnyefl 


OE) 2 uLpMORyY 


"0D 9 urrpIMoeyy 


"OE 29 vanyay] 


Uog % aTyoxg 


“MHHSITHENd 


Inyyny "T wWeW 
Asysey “Y's 
uoVIquIsg Xv] 


IO *H yeuresieyy 


(uoT}e[Ssuv1}) sewing 


Aqary Wer, 


Aviayoey 


uoyng ez]apunorg *f 
POPPPID “A “D 
iadooy siowruua7 
Toye Weqy 


soIUn, YAY 


“YOHLNAV 


‘(panusjwo2)—KUNINAD HLNAXLHDIA 


SHONIYG 
40 YOAV AHL 


SAUXVID AO 
LINXay Isw] aH 


LONaNDA 
HILLY AHL 


ATIIVAW Aq 
40 aSAOY aHY 


SAARTD Ad ATWAIO 


90d Nad105 aH 


SNVINIOUIA AHL 
aOq AW S.ANNLYOT 


Noadnoy Luo0q 
d1Q dO AYOLS FH] 


SNVOIHOJW 
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SUGGESTED COURSES OF READING 


(JUVENILE. ) 


95 


SUGGESTED COURSES OF READING. 


As likely to assist Parents and Teachers, I propose to give 
two lists (covering English History from the Norman Con- 
quest) for Boys and Girls respectively; but a passing 
allusion may, first of all, be made to tales dealing with more 
ancient periods. For the illustration of Greek and Roman 
History, those books of Professor A. J. Church which are 
entered in my Pre-Christian section may be safely recom- 
mended ; while the pictures of First Century life given in 
Wallace’s ‘‘ Ben Hur,” Lytton’s ‘‘ Last Days of Pompeii,” 
and Whyte Melville’s “ The Gladiators” are, perhaps, as 
likely to interest an intelligent boy or girl in the “ teen” 
stage as any similar productions that could be mentioned. 
Turning to the Early History of our own isle, I would 
specially mention Mr. Henty’s “‘ Beric the Briton”; the 
‘* Aescendune”’ series of tales (‘‘ Edwy the Fair,” «* Alfgar 
the Dane,” and ** The Rival Heirs’’) by the late Rev. A. 
D, Crake; Mr. C. W. Whistler’s ‘“‘ Havelok the Dane,” “A 
Thane of Wessex,” &c.; and the various books chosen to 
represent Alfred and his times. 

In preparing the following lists, I have had in view, for 
the most part, the avevage Juvenile taste; doubtless many 


96 


of the more advanced works might be offered in special 
cases, but, in regard to that, the Parent or Teacher can 
alone judge. Some of the tales entered in (1.) reappear in 
(1.), but a comparison will disclose important differences. 
A reference to the General List will, in most cases, reveal 
a more exact specification ; for the sake of convenience, the 
tales are here grouped according to Reigns only. 

Of the romances dealing with American and Foreign 
History to be found in the foregoing pages, many are suitable 
for young readers; but the sequence not being very close 
(for any lengthy period at least), separate lists would appear 
superfluous. Such writers (to mention only a few) as 
Fennimore Cooper, Mrs. J. G. Austin, G. C. Eggleston, 
Kirk Munroe, and Elbridge S. Brooks, may be particularly 
recommended for American History; while Scott, Dumas, 
Charlotte M. Yonge, Miss Roberts (author of ‘*‘ Mademoi- 
selle Mori’’), and G. A. Henty, have all illustrated—in 
more or less adequate fashion—the course of events in 
Foreign Countries. The novels of Dumas are not infre- 
quently considered somewhat ‘‘ strong meat,” but his ‘¢ She- 
Wolves of Machecoul”’ and “ Black Tulip” may be safely 
placed in any hands. 


7, 


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GNV AGaNANNAY 


AHSITANd 


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"(panunu02)—TSHANONOD AHL ADONIS AUOLSIH HSITIONA 


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*(pantz02)— LSHNONOD AHL AONIS ANOLSIH HSITONG 


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suog Ss,weuyNg *g ‘9D 


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3309 

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aspoymouyy ULSD 
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PET oe) eV 


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ond 


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40 SENALYOY ANL 
aaa] GIN 
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*(panut409)—TSHANONOD AHL ADONIS AMOLSIH HSITIONG 


104 


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uuey yD 


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OOTUALV AA 
40 UVAA AHL NT 
“OV "0D 8 WOqSIN “[ oul) NO 
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OUT suog 3% pjouef ABA IN “WN NOLNGYT AQTLNVYS) 
GNVWNOD S.NOL 
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LY AYOOW, HLIAA 
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‘dordad *MAHSITANd ‘MOHLAV ‘“MOOd AO ATLL 


*(panu2;u09,—TLSHANONOD AHL AONIS 


RAO TST SIGN a 


105 


4SOIOIUL [IM 3 ING “Alo Bunod AroA soy apquar ns Ajpavy sty Are yy Jo usior1 oy yIA ApyOe1p Surjvop 9] 


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uyof 
‘ond 

4 "T preyory 
“ond 


"TT Aquey 


‘uaydayg 


*T Aruayy 


HOIMGL 


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‘OTE 


*T WenTTT MA 
—pjoiezy sonbuog ueun0oN 


‘doluddd 


‘(sTaID) LSHQOONOD AHL ADNIS 


SUOS 2 UOSION *]T, 


"0D 8 “YOO'T ‘prea, 
4 IAESE OMAN A, 

PIOU eh Os, eV 

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Slee diem D 28) ay) 


"OD % 9qQeIsu0D 
0-d ® uanyeyW 


MASE ON WE 


ospayMouy uriysuyD 
Suyowoig 10f £39190 


OD F sqeysuog 


SUOS X adpoyjnoy *0ay 


UdIIDH) WAT "qT 


wspy *D ‘[ 
09S 

005 

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y09g 


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plnoy-sunrg ‘s 


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u0}} 47 


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2} [eNUL}sqns AJUO ay} ‘SINT, y 


duodxO JO MAID VW 


IVY NTOONI'T 
GNV FdaWANNAY 


AOHNVAI 
NVUWSIIV], AHI, 
SMVILAO LSaxO,T 
GaHLOULAG AH, 


AUIIY DNIAGVAY 
40 GNEOUT FHL 


Isdiuqg FHL Odvg, 


SIuVg 
40 LUAIOY INnND 


WIASNY “LS 
40 SAV FHL NJ 


AONAAY AO dNVD AHL, 


aTOUV ET 


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106 


‘onid 
TT preyory 
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CII prepa 
—'] preapy) son1g pur sovjpey 


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TL PUA PE 


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*(panunuor)— TI] A1uoyy 


“OF *W YOMIING 


OD ® uvpprmovyy 


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10D} WET [USBI 


0D) % SYDOT “pre AA 
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0D % quad ‘IN ‘f 


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"0d » Aapa0S 


OF) 2 uL]TWON]Y 


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udaID eA “A 

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FUT “A 


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pue asjso,y *[ “Vv 


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*(panna3109) IT SHNONOOD AHL AONIS 


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410 WAINNYG FHL 


ISHIUq wOog 
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AYIVAIHD 
40 SAV HHL NI 


GOOMNAT 
40 SHONV]T AHL 


YAHLOU AW 
‘ONIN, PHL ‘dor 


aonug a0 SAV FHL 


SHHIHD HSILLOOS AHL 


UAAOINAC 
40 Guoy FHL 


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GOVd AHL 
GNV HONIYG AHL 


HILSVD auyoraag so 
NOUVG wtadoy FHL 


*MOOd AO WILIL 


AYVOLSIH- HSI1ONa 


107 


ee a oa ae 


‘ITA Aruayy 


OU 


LIT PAeiera 


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‘ontTd 
CAT preapa 
— ‘TA Aruazy) sasoyy ay} JO SIVA, 


‘TA Aiueyy 


“ontd 
‘OMG 
A Aiusyzy 


"AT Aruay 


*doldad 


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SUOS ¥ UOS[AN “L 


‘OF 2B SUIT AL 
usanboryy *[ 


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0*d FY urxyprwmovyy 


SUOS ® aspap Moy *095) 


0D WH uryprwmovyy 


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Og % apovyg 
UOg  amyporlgd 


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‘MHHSITANd 


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sauef Yy ‘d “D 
asvyIUIy "VY 


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asu0 A “JA ANOLAVYD 
u0}A’T 


asu0% "JA A70TIvYO 
somvf Yd “D | 


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uowsunyy "TY 


Ayuay ‘VD 


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40 UAE, AHL 


NVNGOOM FHL 
ALIHA, GNV ASOY aay 


SasOY FHL 
JO SUVA FHL NI 


TIASSINY) ATSIN) 


SNOUV 
JHL dO LSV]I AHL 


SUSSUONIVG 
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JO SAVQ FHL NI 


wAaAog 
aHL JO SACIS HLOG 


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"(panuyuo2)—TSANONOOD AHL AONIS ANOLSIH HSITONA 


108 


ond 
‘old 
‘ond 
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wpeqezyy 
‘ond 


*AIVIN—IA prempy 


‘OWI 


TWAS | EGE 


oni 


OTE 


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nee) 7,9) UL{[IUO’ TAT 
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owurn 9 ‘[ 


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owuIN ‘9 *f 


youusg *[ 
Teysseypy eau 
aso A "JL 9}70[1VYD 
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09g 


pAorjoyy *d durforeg 
Sutuuryy v 

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asuoyx "JW 9WO0LILVYD 


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“doldad 


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MUVIANMS ULV 


aILSV) LSYNHsSNadg 


/ANOLSIP] OL NMONUNNQ 


jOH GUVMISTA, 
HLYOMIINAY 
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ANYOISO AYVMAZ 
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a9adlugq NOGNOT 
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109 


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suos xn PpooMselg "M 
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3109S 


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‘(ponuy02)—LSANONOD AHL AONIS AMOLSIH HSITIDNG 


riage 


In connection with this subject of Juvenile Literature, 
I would draw attention to Messrs. Constable’s ‘“ Library 
of Historical Novels and Romances’’—so admirably edited 
by Mr. G. Laurence Gomme. Readers (old as well as 
young) are still further indebted to Mr. Gomme for his well- 
arranged series of extracts taken from Romantic Literature 
in the four volumes entitled, ‘‘The King’s Story Book,” 
“©The Queen’s Story Book,” ‘The Prince’s Story Book,”’ 
and ‘‘ The Princess’s Story Book.” (Constable & Co.) 


F SN UL eas 
( . thre. ope} ig hana a rigg ; 
x | ay) i I H nt 
: ¥ sy A 
{ 1 
t a 
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BIBLIOGRAPHY 


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BIBLIOGRAPHY 


AxtHouGcH I have adopted the heading “ Bibliography,” it 
should be understood that, in offering the subjoined list, | 
do not claim for it absolute comprehensiveness. There are, 
of course, almost innumerable Biographies, Literary Studies, 
Histories of Literature and Fiction, &c., in which idvrect 
references to our subject may be traced. Moreover, in pre- 
paring this little volume, it has been found necessary to 
consult largely ‘‘ The Dictionary of National Biography,”’ 
the Enyclopzedias (especially Chambers’, tgo1), and other 
Standard Works of the Dictionary type. I confine myself 
below to noteworthy writings which deal directly with the 
subject of Historical Romance. 


Article on Historical Romance in Zhe Quarterly Review. Vol. XXXV., 
page 518. (March, 1827.) 

Article on Historical Romance (‘‘ Sir Walter Scott and his Imitators’’) 
in Fraser’s Magazine. Vol. V., pages 6 (Part I.) and 207 
(Part IJ.) (February and March, 1832.) 

Article on ‘‘ The Picturesque Style of Historical Romance” in Blackwwoou’s 
Megazine. Vol. XXXIII., page 621. (April, 1833.) 


Article on “Historical Romance in Italy,” by G. W. Greene, in 7/e 
North American Review. Vol. XLVI., page 325. (April, 1838.) 


Article on Historical Romance in Blackwood’s Magazine. Vol. LVIII., 
page 341. (September, 1845.) 


118 


Article on Historical Romance, by G. H. Lewes, in Zhe Westminster 
Review. Vol. XLV., page 34. (March, 1846.) 


. Article on “‘ History in Fiction,” in Zhe Dublin Review. Vol. XLV., 
page 328. (December, 1858.) 


Lecture III. (‘‘Scott and his Influence”) in David Masson’s “ British 
Novelists and their Styles.” (Macmillan, 1859.) 


e~ Article on ‘* Historical Novels,” by H. James, jun., in Ze Nation. Vol. 
V., page 126. (August 15th, 1867.) 


Article on Historical Romance in Zhe Argosy. Vol. XVII., page 364. 
(May, 1874.) 


Chapter X. (‘f The Waverley Novels”), in R. H. Hutton’s ‘‘ Sir Walter 
Scott.” (Macmillan’s Avglish Men of Letters Series, 1878.) 


The Essay on ‘‘ The Waverley Novels,” in Vol. II. of Walter Bagehot’s 
‘© Literary Studies.” (Longmans, 1879 ) 


‘*A Descriptive Catalogue of Historical Novels and Tales. For the 
use of School Libraries and Teachers of History. Enlarged from 
the List in the ‘ Journal of Education,’ March, 1882.” Compiled 
and described by H. Courthope Bowen, M.A. (Edward Stanford, 
1882.) 


~The section on ‘‘ The Historical Novel,” in Bayard Tuckerman’s ‘‘ History 
of English Prose Fiction.” (Putnams, 1882.) 


The Chapter on ‘‘ Courses of Reading in History,” in James Baldwin’s 
‘©The Book Lover.” (Putnams, 1886.) 


. The list of Historical Novels given in W. F. Allen’s “The Reader’s 
Guide to English History. With Supplement, extending the plan 
to other countries and periods.” (Ginn & Co., 1888.) 


[A useful, but very unequal list. ] 


. The partially-selective list of Historical Novels in ‘‘A Guide Book to 
Books,”’ by E, B. Sargant and B. Whishaw. (H. Frowde, 1891.) 


119 


The essay on “‘ Sir Walter Scott,” in Vol. I. of Leslie Stephen’s “* Hours 
in a Library.” (Smith, Elder, & Co., 1892. New edition, with 
additions. ) 

[Mr. Leslie Stephen is one of the most formidable critics with whom 


the lover of Historical Romance has to deal. That which it is possible 


to say against such fiction is said more forcibly by him, perhaps, than by 
anyone else.] 


The series of articles dealing with ‘‘ History in Fiction,” &c., by J. B. 
Carlile, in Great Thoughts, October, 1892, to March, 1894. 


Article ‘‘ The Historical Novel,” by Prof. A. J. Church, in A¢alanta for 
April, 1893. 


The useful and partially-selective lists of Historical Tales given in ‘‘ The 
Intermediate Textbook of English History,” by C. S. Fearenside 


and A. Johnson Evans. (W. B. Clive, University Tutorial Press, 
Ltd., 1893, &c.). 


The short selective list of Historical Tales given in the appendix to John 


Fiske’s ‘‘ History of the United States for Schools.” (James 
Clarke & Co., 1894.) 


Article on ‘‘ The Historical Novel as illustrated by Sir Walter Scott,” 
by Edwin Lester Arnold, in 4¢a/anta for March, 1894. 


The essay on ‘* The Historical Novel” in W. P. James's “ Romantic 
Professions and other papers.” (Elkin Mathews and John Lane, 
1894.) 

[A re-print, in somewhat revised form, of the suggestive article appearing 
in Macmillan’s Magazine, November, 1887. ] 

Chapter X. (‘‘Sir Walter Scott”) in Prof. Raleigh’s ‘“‘The English 
Novel.” (John Murray, 1894.) 


Chapters X., XI., and XII. in Prof. Saintsbury’s ‘‘ Essays in English 
Literature, 1780-1860. Second series.” (J. M. Dent & Co., 1895.) 
[Originally appeared in Macmillan’s Magazine, August, September, 


and October, 1894. A contribution to the subject of quite exceptional 
brilliance and value. | 


eels Descriptive List of Novels and Tales dealing with the History of 
North America,” by W. M. Griswold. (Cambridge, U.S.A., 1895.) 


120 


The Section headed ‘ Historical Tales” in ‘* Guide to the Study of 


American History,” by E. Channing and A. B. Hart. (Ginn and 
Co., 1896.) 


A Letter on ‘‘ Historical Novels, Past and Present,” by ‘* Mazarin,” in Zhe 
Bookman, October, 1896. 


’ 


Article on ‘‘The Indian Mutiny in Fiction,” in Blackwood’s Magazine, 


February, 1897. 


Article on ‘‘The Importance of Illustrating New England History by a 
series of Romances,” by Rufus Choate, in Zhe New L£ngland 
Magazine, November, 1897. 


Paper read before the College of Preceptors, on ‘‘ The Use of Historical 
Romances in the Teaching of History,” by R. F. Charles, in Ze 
Educational Times, November, 1897. 


Article on ‘‘ The American Historical Novel,” by Paul Lester Ford, in 
The Atlantic Monthly, December, 1897. 


[In this article a definition of the ‘‘ Historical Novel” at variance 
with my own, has been suggested. In spite of Mr. Fords argument, I am 
still of opinion that the line of demarcation between the Historical Novel 
proper and the Novel of Character or Adventure can be more clearly 
drawn than he allows. I was careful, when dealing with this question in 
my Introduction, to avoid making the test one of actual historical accuracy, 
but there are, I have implied, certain readily-verifiable personages and 
events which form a basis amply sufficient for purposes of distinction. The 
pirates of “‘ Treasure Island”’ are taken (as Mr. Ford says) from actual 
figures of the Eighteenth Century, but under my definition Stevenson s 
novel is not thereby constituted ‘‘ historical’ in the strict sense. | 


Article on ‘*‘ The Neo-Romantic Novel,” by G. R. Carpenter, in Zhe 
Forum, March, 1898. 


Article on ‘‘ Historical Novels Past and Present,” by Harold Frederic, 
in Zhe Bookman (American), December, 1898. 
[An admirably-written, stimulating article. ] 
List of Historical Novels, &c., illustrating the Period 1066 to 1815, in the 


volume ‘‘ Work and Play in Girls’ Schools,” by Dorothea Beale, 
Lucy H. M. Soulsby, and Jane Frances Dove (Longmans, 1898). 


I2I 


“Le Roman Historique a I’ Epoque Romantique,” by Louis Maigron 
(Hachette et Cie., Paris, 1898). 


{Contains a fine tribute to Scott, and much interesting matter. ] 


Chapters III. and IV. of ‘‘ The Development of the English Novel,” by 
W. L. Cross (Macmillan, 1899.) 
[A very full treatment. In the Appendix are some useful lists of the 
earlier Historical Novels. ] 
Article on “ Three American Historical Romances,” by W. E. Simonds, in 
The Atlantic Monthly, March, 1900. 


Article on ‘‘ The Reading of Historical Novels and the Study of History,” 
by Ada Shurmer, in Zhe Scots Magazine, April, 1900. 


Chapter III. (‘The Historical Novel”), in F. H. Stoddard’s ‘‘ The 
Evolution of the English Novel” (Macmillan, 1900). 


[A highly important contribution. ] 


The two sections on Historical Fiction, relating to Greece and Rome re- 
spectively, in Arthur L. Goodrich’s ‘‘ Topics of Greek and Roman 
History ” (Macmillan, 1900). 


[For those requiring a /z/er list of Greek and Roman tales than that 
given in my pages, the above will be found useful. ] 


Article on ‘‘ Historical Novels and their uses in teaching,” by C. S. 
Fearenside, in Zhe School World, November, 1900. 


[An exceptionally good article. The writer states his case clearly and 
forcibly, and his argument is all the more convincing by reason of its 
moderation. | 


Article on ‘“‘ The New Historical Romances,” by W. D. Howells, in Ze 
North American Review, December, 1900. 


The Essay on ‘‘The Historical Novel” in Prof. J. Brander Matthews’ 
‘¢ The Historical Novel and other essays”’ (Scribner’s, 1901). 


(Originally appeared in Zhe Forum, September, 1897, Represents 
that School of Criticism which is most adverse to Historical Romance. 
Some of the Professor’s remarks convey the impression that he disbelieves 
in any reconstruction of the Past ; such an attitude is, surely, unfavourable 
to History itself, which is always more than any mere statement of ‘‘ facts.’’] 


K 


122 


* * The List of Historical Novels in Mudie’s Library Catalogue (The New 
Enlarged Edition, January, 1902). 


[ Non-selective, but useful more especially on account ofits Zopographical 
arrangement. | 


The list of Historical Tales given in J. S. Lindsey’s ‘“‘ Certificate Note- 
Book of European History, 1814-1848.” (Heffer & Sons, Cambridge, 
1902). y 


‘* History of English Romanticism in the Nineteenth Century,” by Henry 
A. Beers (Kegan Paul & Co., 1902). 


[ Contains some valuable direct criticism. See especially Chapter I. | 
The “ Dedicatory Epistle” in Scott’s ‘* Ivanhoe.” 


The very brief but exceedingly suggestive opening section in Chapter I. of 
Charles Reade’s ‘‘ The Cloister and the Hearth.” 


The Preface to Stheffel’s ‘‘ Ekkehard.” 


NOTE. 


Some of the American Public Libraries (notably Boston) have issued 
useful Lists of Historical Novels. 


Two works—aznounced for a considerable time—I should have been 
glad to consult ; thesé are Mr. P. L. Ford’s ‘* The American Historical 
Novel” (Macmillan), and Mr. E. A. Baker’s ‘‘ Guide to Fiction” (Son- 
nenschein), ‘lhe last-named volume will, I understand, contain a section 
devoted to Historical Romance. 


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